The Sacred Stranger: Searching for Meaning After the Death of God
Beyond Nietzsche, beyond despair—the return of transcendence.
In his book Anatheism: Returning to God After God, Richard Kearney writes:
“The only Messiah still credible after the death camps would be one who wanted to come but could not because humans failed to invite the sacred stranger into existence.”
Anatheism literally means “a return to God after God”—from the Greek ana- (again) and theos (God). It describes a kind of post-atheistic return to faith or re-engagement with the sacred after going through atheism or profound doubt.
Nietzsche insightfully marked the 20th century as the century of the “death of God”— a death that naturally culminated in death camps. When God is dead, not only in our worldview but also in our experience, what is left to believe in? And yet, paradoxically, it is precisely when we are engulfed by doubt that we begin to desperately search for transcendence.
Anatheism is encountering the divine anew—after deep disbelief or disenchantment. But how can one believe in God after the experience of the “death of God”? Richard Kearney answers: in recognizing the divine in the stranger, the Other, the unexpected. True theophany happens only when we are ready to embrace a “sacred stranger.”
“God after God” is not the same as the God before. The God before made sense. The God after doesn’t. The God we meet after the death of God is always a total stranger—a sacred stranger. In other words, we never realize that we have encountered him until we have.
We never look for Him. All we do is desperately look for meaning and transcendence, while He is desperately looking for us. Anatheism is discovering the sacred after profound disillusionment. The deeper the disillusionment, the stronger the urge to rediscover the sacred.
The ultimate divine irony is this: disillusioned people often believe they are walking away from God in their search for meaning and transcendence, yet they end up bumping into Him in the most unexpected places. Silenced by doubt for too long, they open their mouths and begin speaking—and what comes out are stories of astonishing beauty and unbelievable transcendence.
Strictly speaking, anatheism is not our return to God; it’s a sudden and unexpected discovery that, while you thought you were distancing yourself from a “dead God,” you were, in fact, getting closer to the One-Who-is-Alive—in your experience of the sacred. With anatheism, we don’t walk toward God; we move away but, somehow, find Him present where we thought He was absent.
The word irony comes from the Greek “to play the fool.” God allows us to drink the cup of atheism to the dregs—to the point of killing God—only to find that we are searching for Him in every nook and cranny. After an age of death camps we can no longer believe in the Messiah as before—only in a Messiah who comes to us as a sacred stranger.
In his youth, Oscar Wilde flirted with irreverence and skepticism and believed in “art for art’s sake,” but in his later years, he wrote beautiful fairy tales for his children that captured the spirit of the Evangelium—without knowing it.
Many Soviet authors and film directors were atheists, and yet they created literature and films of Gospel-like transcendence without realizing it—thinking they were simply pursuing truth and beauty. What happens after we bury God? He resurrects right out of the ashes of our disbelief—in the body of a total stranger—someone we don’t recognize.
Who is this total stranger? We don’t know. All we know is that our hearts burn as he speaks. We don’t know his name or recognize his face, but his every word falls into our soul like quickening drops of living water. We recognize the sacred—God after God.
We are the two disciples on the road to Emmaus, walking the path of despair. Our hopes have collapsed—God died before our eyes. We no longer know how to live; we only know how to survive. And then we meet a stranger. He walks with us, speaks to us, and our hearts begin to melt. We don’t know who he is. We only know that we are communing with something sacred. And sacred is enough. We know—somehow—that something good is coming.
“The ana of anatheism makes sure that the God who has already come is always still to come.” Richard Kearney
Not only is Jesus the God who walks with us. He walks in our pain, because He knows pain and suffering. This is what I love about Dostoyevsky. Dostoyevsky wanted to take us through Hell to lead us to the other side to lead us to the cross of Christ.
"in recognizing the divine in the stranger, the Other, the unexpected." Indeed. As my grandma once said: "God works in mysterious ways."
How unexpected. The unexpected IS the mystery.
Through the death of so many ideas and dreams, God can clear away our vision of him as some impassive guy up in the sky. Sure, He's a king, the god of Heaven and Earth, but He becomes revealed as more personal and intimate than we could imagine. Neither romance nor family relationships can come close to God's warmth.
The stoic king and clockmaker is an idol, and this mental vision can be swept away by tragedy and sin. So ironically, in evil, we can be humbled and come to the Lord.
It's not God who died, it's our view of him. And maybe He sweeps away our false notions of Him, of life itself.
The LORD is the Ultimate Philosopher, the one who teaches us what life's true meaning is. And the meaning of life is to bring more life. God can bring life after death, as we see in the Gospel and the Holocaust and in personal lives.
It's truly wonderful.
"God allows us to drink the cup of atheism to the dregs—to the point of killing God—only to find that we are searching for Him in every nook and cranny." This is a wild concept you expressed, and maybe some atheists are actually getting closer to God than many theistic people. While atheism is not an end goal in any way, it can lead someone toward God. God is not dead; He's in a different form than we imagine.